August 22, 2011
DETECTING AND UNDERSTANDING ILLUMINATI
INTERFERENCE
a scene from "V is for Vendetta" -- "The most blatantly honest Illuminati
project I have yet viewed."
http://www.henrymakow.com/aspen.html
by Aspen
(The author is a former professional movie critic.)
(henrymakow.com)
The Illuminati exert influence in popular visual media to an
extraordinary extent. Every major film script that is in pre-production mode is
submitted to key Illuminati subordinates whose role is to assess the script for
potential alterations or insertions. These changes may be major or minor,
depending on the material of the script.
Additionally, these subordinates comprise a tightly managed think tank which
surveys the progress of Illuminati propaganda in global societies. The members
make decisions about which themes are ready for further amplification in popular
media. Then, detailed descriptions of desired creative projects are handed down
to a further subordinate (but not necessarily knowledgeable) group of highly
skilled writers, who create the scripts for these projects.
Different projects are created to target different sectors of the global
population. That may seem logically obvious, but it's worth stating. Grossly
blatant Illuminati messages are more often couched in films of excessive
violence, sexual content, outright weirdness, and so on, in order to distract
viewers from the fact that external ideas are being inserted forcefully into
their minds.
Actually, that's not quite right: excessive violence, and such, activates a
psychological openness to the receiving of ideas. The explanation for this is
that once a viewer makes the decision to ACCEPT the violence and the sex, and so
on, his or her mind remains open to the ideas that the film is meant to insert
into their minds.
SUBTLE INFLUENCES
Very often, the decision is made not to insert any open messages into film
projects. This is due to two very simple rules: too much openness exposes the
process; and, gradual influence is far more powerful and effective in the long
run. In the event that no open messages are going to be inserted, two other
options remain which still allow for gradual influence to build.
The first is Signature Symbology. The Illuminati have, over time, generated a
huge set of symbols and visual icons which, in partnership with the more blatant
messages, exert an impressive (some would say frightening) measure of influence
on public thought.
These are the Signatures of Illuminati interference in a project. When viewers
see a symbol inserted into a film, this event draws up memories of past
encounters with that symbol, and of any messages or themes attached to that
symbol.
This is often what some people call an "unconscious" or "subliminal" process. I
call it "unreflective", for the simple reason that most people are just not
paying any attention to the influences that affect them deeply.
Of course everyone wants to leap on the "Illuminati eye" as a blatantly
repetitive symbol these days. That's a misguided judgment, and I'll get to that
part soon. An example of a less obvious Signature Symbol is the
gargoyle. Any film or other production
featuring even brief glimpses of gargoyles is announcing that it has the
Illuminati stamp of approval.
The second option is influence over the music attached to a project. Film music
- well, music in general - holds a powerful influence over viewers and
listeners. Similar musical themes across various projects excite unreflective
(or subliminal) memories even more deeply than do visual symbols.
One of the tactics of the Illuminati is to present a large set of what we could
call Distraction Symbols. The very name "Illuminati" is itself a Distraction
Symbol. Distraction Symbols are meant to occupy the attention of both the mildly
curious thinkers and the overly excitable conspiracy theorists.
Oftentimes, Distraction Symbols are in fact genuine signature symbols, but the
publicly presented meanings of these symbols are well-planned and tightly
controlled propaganda. The meanings of Distraction Symbols have been either
completely falsified or else skewed just enough to push amateur analysts in the
wrong directions.
Let's ask some questions. What do the Illuminati wish to accomplish? What do the
subordinate participants in Illuminati projects wish to accomplish? What are the
major themes the Illuminati focus on presenting? Why have they selected these
particular themes?
WHO ARE ILLUMINATI?
There is no actual body of persons calling themselves the Illuminati. There DOES
exist an actual body of persons telling everyone to CALL them "the Illuminati",
but this is not what they call themselves. Nor is their character equal to the
propaganda they have sponsored that purportedly describes "the Illuminati".
The
most blatantly honest Illuminati project I have yet viewed is V for Vendetta,
directed by Jon
Turtletaub, left, starring Natalie
Portman
and Hugo Weaving.
By the way, all three of these people are key production elements in
major and obvious Illuminati film projects.
There is a scene in V for Vendetta where the central figures of the film, a man
dressed in black and wearing a smiling mask (a Guy Fawkes mask, you can look it
up, or watch the film), and a woman named Evie (after Eve, the symbolic Mother
of Humankind), perform the following exchange:
Evie: How strange that I suddenly see your face everywhere.... I don't
understand.
V: What?
Evie: How you can be one of the most important things that has ever
happened to me, and yet I know almost nothing about you. I don't know where you
were born, who your parents were, if you had any brothers or sisters... I don't
even know what you really look like.
V: There is a face beneath this mask, but it's not me. I am no more that
face than the muscles beneath it, or the bones beneath that.
This is Illuminatis' admission that their public representation of themselves is
a very deliberate sham. They have intended all along to keep their membership,
their ultimate intentions, and their core character as hidden as necessary.
Therefore, if we examine what they present in overly forceful ways, we can
discover what they are not. Conversely, if we examine their more subtle touches,
we can discover what they are willing to admit to - that is, what they MUST
admit to, in order to build the future they have planned for Humanity.
Here we come to the issue of SEEDING. This is it. This is what Illuminati
influence in public media is all about. The Illuminati are - like it or not -
causing and controlling change, globally, but they are not doing that only by
means of instigating economic crises and violent international conflicts.
The Illuminati are seeding the public with notions that gradually grow larger
and more influential over time. They did it with Feminism; they did it with
flexi-sexuality; they are doing it with anti-religion and with child
sexualization now. They do this because the future society they have planned
must be structured differently from what we all know now. A different structure
requires citizens with different thinking who will accept that structure.
To be Continued Tomorrow
--
Black Swan - Hollywood
Preaches Satanism